A major cult figure among progressive bluegrass aficionados, Peter Rowan participated in a number of adventurous projects in the late '60s and '70s before embarking on a highly productive solo career. Primarily a guitarist, Rowan also sang, yodeled, and played various members of the mandolin family. He was born in 1942 and grew up in Wayland, MA, near Boston; his parents and several relatives were musicians, and he and his brothers Chris and Lorin grew up playing both rock and bluegrass together. Rowan also formed a Tex-Mex band called the Cupids in high school, and after college he sang and played mandolin in the folk group the Mother Bay State Entertainers, whom he joined in 1963.

A major cult figure among progressive bluegrass aficionados, Peter Rowan participated in a number of adventurous projects in the late '60s and '70s before embarking on a highly productive solo career. Primarily a guitarist, Rowan also sang, yodeled, and played various members of the mandolin family. He was born in 1942 and grew up in Wayland, MA, near Boston; his parents and several relatives were musicians, and he and his brothers Chris and Lorin grew up playing both rock and bluegrass together. Rowan also formed a Tex-Mex band called the Cupids in high school, and after college he sang and played mandolin in the folk group the Mother Bay State Entertainers, whom he joined in 1963. He also played with Jim Rooney and Bill Keith, and in 1964 he joined Bill Monroe's legendary Blue Grass Boys as a vocalist and guitarist. He departed in 1967 to team up with mandolin virtuoso David Grisman in the eclectic, progressive-minded folk-rock band Earth Opera, who released two albums and often opened for the Doors. Rowan next moved to the San Francisco Bay Area and joined Seatrain, a bluegrass/rock hybrid outfit. He appeared on two albums over 1970-1971, then left to play with Jerry Garcia and Grisman in the bluegrass group Old & in the Way, also joining Grisman in Muleskinner.

In 1975, Rowan teamed with his brothers Chris and Lorin in the progressive bluegrass unit the Rowans, who released several acclaimed albums over the next few years. Rowan also performed with Flaco Jimenez in Mexican Airforce and issued his first two solo albums -- 1978's Peter Rowan and 1980's Medicine Trail -- on Flying Fish. He issued the Tex-Mex project Texican Badman on Appaloosa in 1981 as well as an album with his Nashville-based group, the Wild Stallions. 1982 brought The Walls of Time, the first in a long string of albums for the Sugar Hill label that lasted well into the '90s. Among the more notable, 1985's The First Whippoorwill was an affectionate tribute to Monroe, while 1988's New Moon Rising became the signature album of Rowan's solo career, featuring some of his most popular material. 1990's Dust Bowl Children was a completely solo performance, while 1991's All on a Rising Day continued his creative hot streak. Several more albums followed through 1996, including one, 1994's Tree on a Hill, that reunited him with Chris and Lorin; another, 1996's Yonder, paired him with dobro king Jerry Douglas for a set of duets. Rowan took a break from his solo career for a few years but continued to guest on albums by other artists, including the Czech folk group Druha Trava. He returned in 2002 with High Lonesome Cowboy, a collaborative effort with Don Edwards for Shanachie that also featured Tony Rice and Norman Blake. In 2004 Rowan released You Were There for Me, a long overdue collaboration with Tony Rice that resulted in another successful recording session in 2006 called Quartet. The Best of the Sugar Hill Years compilation followed in 2007. ~ Steve Huey, All Music Guide