Renowned around his Crescent City home base as "the Tan Canary" for his extraordinary set of soulfully soaring pipes, veteran
R&B vocalist
Johnny Adams tackled an exceptionally wide variety of material for Rounder in his later years; elegantly rendered
tribute albums to legendary songwriters Doc Pomus and
Percy Mayfield preceded forays into mellow, jazzier pastures. But then,
Adams was never particularly into the parade-beat grooves that traditionally define the
New Orleans R&B sound, preferring to deliver sophisticated soul ballads draped in strings.
Adams sang
gospel professionally before crossing over to the secular world in 1959.
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Renowned around his Crescent City home base as "the Tan Canary" for his extraordinary set of soulfully soaring pipes, veteran
R&B vocalist
Johnny Adams tackled an exceptionally wide variety of material for Rounder in his later years; elegantly rendered
tribute albums to legendary songwriters Doc Pomus and
Percy Mayfield preceded forays into mellow, jazzier pastures. But then,
Adams was never particularly into the parade-beat grooves that traditionally define the
New Orleans R&B sound, preferring to deliver sophisticated soul ballads draped in strings.
Adams sang
gospel professionally before crossing over to the secular world in 1959.
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Songwriter Dorothy LaBostrie -- the woman responsible for cleaning up the bawdy lyrics of
Little Richard's "Tutti Frutti" enough for worldwide consumption -- convinced her neighbor,
Adams, to sing her tasty ballad "I Won't Cry." The track, produced by a teenaged Mac Rebennack, was released on Joe Ruffino's Ric logo, and
Adams was on his way. He waxed some outstanding follow-ups for Ric, notably "A Losing Battle" (the Rebennack-penned gem proved
Adams' first national
R&B hit in 1962) and "Life Is a Struggle."
After a prolonged dry spell,
Adams resurfaced in 1968 with an impassioned
R&B revival of
Jimmy Heap's country standard "Release Me" for Shelby Singleton's SSS imprint that blossomed into a national hit. Even more arresting was
Adams' magnificent 1969
country-soul classic "Reconsider Me," his lone leap into the
R&B Top Ten; in it, he swoops effortlessly up to a death-defying falsetto range to drive his anguished message home with fervor.
Despite several worthy SSS follow-ups ("I Can't Be All Bad" was another sizable seller),
Adams never traversed those lofty commercial heights again (particularly disappointing was a short stay at Atlantic). But he found a new extended recording life at Rounder; his 1984 set,
From the Heart, proved to the world that this Tan Canary could still chirp like a champ. With producer Scott Billington, he recorded some nine albums for the label prior to his cancer-related death on September 14, 1998. ~ Bill Dahl, All Music Guide
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