Artist: Rhythm Devils

Influenced by both traditional Brazilian singers and the improvisations of American jazz divas like Ella Fitzgerald and Sarah Vaughan, Flora Purim was one of the most adventurous singers of the 1970s. After meeting and marrying her husband, percussionist Airto Moreira, in their native Brazil, Purim moved with him to the U.S. in the late '60s. Though she worked with Stan Getz and pianist Duke Pearson before the decade ended, it wasn't until joining Chick Corea, Joe Farrell, Stanley Clarke, and Moreira in the original Return to Forever in 1972 that she became well known in the States. Purim showed considerable promise on Forever classics like "500 Miles High" and "Light As a Feather" and lived up to it when she went solo with 1973's Butterfly Dreams.
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Biography of Airto Moreira:

The most high-profile percussionist of the 1970s and still among the most famous, Airto Moreira (often simply known by his first name) helped make percussion an essential part of many modern jazz groups; his tambourine solos can border on the amazing. Airto originally studied guitar and piano before becoming a percussionist. He played locally in Brazil, collected and studied over 120 different percussion instruments, and in 1968 moved to the U.S. with his wife, singer Flora Purim. Airto played with Miles Davis during part of 1969-1970, appearing on several records (most notably Live Evil). He worked with Lee Morgan for a bit in 1971, was an original member of Weather Report, and in 1972 was part of Chick Corea's initial version of Return to Forever with Flora Purim;
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Biography of Mickey Hart:

Mickey Hart is a drummer, an ethnomusicologist, and an author. He joined the Grateful Dead as its second percussionist in 1967. In 1970, Hart left the Dead and cut the solo album Rolling Thunder in 1972, featuring various members of the Dead. Hart returned to the band in 1974. Hart's musical activities outside the Dead have been extensive. In 1976, the Dead's Round Records label released Diga by the Diga Rhythm Band, an early experiment in worldbeat fusion put together by Hart. His interaction with drummers from around the world sparked an abiding interest in the role of the drum in other cultures --
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