An American-born guitarist, singer, and songwriter who lived in France since 1980,
Luther Allison was the man to book at
blues festivals in the mid-'90s.
Allison's comeback into the mainstream was ushered in by a recording contract with an American record company, Chicago-based Alligator Records. After he signed with Alligator in 1994,
Allison's popularity grew exponentially and he worked steadily until his death in 1997.
Born August 17, 1939, in Widener, AR,
Allison was the 14th of 15 children, the son of cotton farmers. His parents moved to Chicago when he was in his early teens, but he had a solid awareness of
blues before he left Arkansas, as he played organ in the church and learned to sing
gospel in Widener as well.
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An American-born guitarist, singer, and songwriter who lived in France since 1980,
Luther Allison was the man to book at
blues festivals in the mid-'90s.
Allison's comeback into the mainstream was ushered in by a recording contract with an American record company, Chicago-based Alligator Records. After he signed with Alligator in 1994,
Allison's popularity grew exponentially and he worked steadily until his death in 1997.
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Born August 17, 1939, in Widener, AR,
Allison was the 14th of 15 children, the son of cotton farmers. His parents moved to Chicago when he was in his early teens, but he had a solid awareness of
blues before he left Arkansas, as he played organ in the church and learned to sing
gospel in Widener as well.
Allison recalled that his earliest awareness of
blues came via the family radio in Arkansas, which his dad would play at night.
Allison recalls listening to both the Grand Ole Opry and
B.B. King on the King Biscuit Show on Memphis' WDIA. Although he was a talented baseball player and had begun to learn the shoemaking trade in Chicago after high school, it wasn't long before
Allison began to focus more of his attention on playing
blues guitar.
Allison had been hanging out in
blues clubs all through high school, and with his brother's encouragement, he honed his string-bending skills and powerful,
soul-filled vocal technique.
It was while living with his family on Chicago's West Side that he had his first awareness of wanting to become a full-time bluesman, and he played bass behind guitarist
Jimmy Dawkins, who
Allison grew up with. Also in
Allison's neighborhood were established
blues greats like
Freddie King,
Magic Sam, and
Otis Rush. He distinctly remembers everyone talking about
Buddy Guy when he came to town from his native Louisiana. After the
Allison household moved to the South Side, they lived a few blocks away from
Muddy Waters, and
Allison and
Waters' son Charles became friends. When he was 18 years old, his brother showed him basic chords and notes on the guitar, and the super bright
Allison made rapid progress after that.
Allison went on to "
blues college" by sitting in with some of the most legendary names in
blues in Chicago's local venues:
Muddy Waters,
Elmore James, and
Howlin' Wolf among them.
His first chance to record came with Bob Koester's then-tiny Delmark Record label, and his first album,
Love Me Mama, was released in 1969. But like anyone else with a record out on a small label, it was up to him to go out and promote it, and he did, putting in stellar, show-stopping performances at the Ann Arbor Blues Festivals in 1969, 1970, and 1971. After that, people began to pay attention to
Luther Allison, and in 1972 he signed with Motown Records. Meanwhile, a growing group of
rock & roll fans began showing up at
Allison's shows, because his style seemed so reminiscent of
Jimi Hendrix and his live shows clocked in at just under four hours!
Although his Motown albums got him to places he'd never been before, like Japan and new venues in Europe, the recordings didn't sell well. He does have the distinction of being one of a few
blues musicians to record for Motown.
Allison stayed busy in Europe through the rest of the 1970s and 1980s, and recorded
Love Me Papa for the French Black and Blue label in 1977. He followed with a number of live recordings from Paris, and, in 1984, he settled outside of Paris, since France and Germany were such major markets for him. At home in the U.S.,
Allison continued to perform sporadically, when knowledgeable
blues festival organizers or
blues societies would book him.
As accomplished a guitarist as he was,
Allison wasn't a straight-ahead
Chicago blues musician. He learned the
blues long before he got to Chicago. What he did so successfully is take his base of
Chicago blues and add touches of
rock,
soul,
reggae,
funk, and
jazz.
Allison's first two albums for Alligator,
Soul Fixin' Man and
Blue Streak, are arguably two of his strongest. His talents as a songwriter are fully developed, and he's well-recorded and well-produced, often with horns backing his band. Another one to look for is a 1992 reissue on Evidence,
Love Me Papa. In 1996, Motown reissued some of the three albums worth of material he recorded for that label (between 1972 and 1976) on compact disc.
Well into his mid-50s,
Allison continued to delight club and festival audiences around the world with his lengthy, sweat-drenched, high-energy shows, complete with dazzling guitar playing and inspired, soulful vocals. He continued to tour and record until July of 1997, when he was diagnosed with inoperable lung cancer. Just over a month later, he died in a hospital in Madison, WI; a tragic end to one of the great
blues comeback stories. 1998's posthumous Live in Paradise captured one of his final shows, recorded on La Reunion Island in April 1997. Thomas Ruf, who was inspired by and became a friend of
Allison's shortly before the bluesman's death, issued Underground on Ruf Records in 2007. ~ Richard Skelly, All Music Guide
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