A leader of the
tropicalia movement in Brazil in 1967 and 1968, along with artists like Caetano Veloso and
Gal Costa,
Gilberto Gil and other musicians mixed native styles with
rock and
folk instruments. Because
Gil fused
samba,
salsa, and
bossa nova with
rock and
folk music, he's recognized today as one of the pioneers in
world music. A multi-instrumentalist and singer/songwriter,
Gil joined his first group, the Desafinados, in the mid-'50s and by the beginning of the 1960s was earning a living as a jingle composer.
Although known mostly as a guitarist, he also holds his own with drums, trumpet, and accordion.
He began playing the accordion when he was eight, and he listened to street singers in the marketplace around Salvador. By the end of the 1950s,
Gil was studying business administration at Salvador's Federal University and playing with a group called Os Desafinados. At this time he heard singer and guitarist
João Gilberto on the radio and was so impressed that he immediately bought a guitar and learned to play and sing the
bossa nova. He spent the early '60s composing songs for TV ads, and in 1964, he was in Nos Por Exemplo, a show of
bossa nova and traditional Brazilian songs directed by Caetano Veloso. In 1965, he moved to São Paulo, and after singing and playing in various shows, he had his first hit when singer
Elis Regina recorded his song "Louvacao." He began to establish himself as a singer of protest songs, and he became very popular with Brazilians involved in the
Tropicalia movement, which opened up native
Brazilian folk music to other kinds of influences. The success of the single "Louvacao" inspired
Gil to record an album of his own material with the same title.
Gil made his first self-titled recording in 1966, but his first hit single didn't come about until 1969, with "Aquele Abraco." His musical fusion of
bossa nova,
samba, and other styles was so revolutionary it frightened the country's military dictatorship into arresting him, and that's when he headed to Great Britain. (He and Caetano Veloso were placed in solitary confinement while authorities figured out what they wanted to do with the pair.) After three years in England, where he had the chance to work with groups like
Pink Floyd,
Yes,
the Incredible String Band, and
Rod Stewart's band in London clubs, he returned to Brazil in 1972. He recorded Expresso 2222, which spurred two hit singles in Brazil, "Back in Bahia" and "Oriente." After playing at the Midem Festival in France in 1973,
Gil recorded Ao Vivo in 1974. A year later, he recorded with
Jorge Ben for the album
Gil & Jorge. In 1976, he toured with Veloso,
Gal Costa, and
Maria Bethânia and released the Doces Báraros album.
For most of the rest of the 1970s, he recorded for a variety of Brazilian record companies until signing an international deal with the WEA group of labels in 1977. He toured U.S. colleges in 1978 and firmly established his place in the international
jazz world with his albums Nightingale (1978) and Realce (1979) . He also released a double live album in 1978, Gilberto Gil ao Vivo em Montreux, recorded during his performances at the
jazz and
blues festival in Switzerland. In 1980,
Gil teamed up with
reggae musician
Jimmy Cliff. The pair toured Brazil, and
Gil's cover of
Bob Marley's "No Woman, No Cry" climbed to number one, selling 700,000 copies.
Gil followed up in 1981 with Luar (A Gente Precisa Ver o Luar), one of his most acclaimed recordings. In 1982, he performed again at the Montreux festival, but this time with
Jimmy Cliff. He followed up with Um Banda Um (1982), Extra (1983), and Raça Humana (1984), the last recorded with
Bob Marley's
Wailers.
In the late '70s,
Gil became a prominent spokesman for the black consciousness movement then taking place in Brazil. In 1982, he had huge crossover success with "Palco," which became popular in dance clubs and led to stadium tours of Europe. Meanwhile, back in the U.S., he would play mid-sized
jazz clubs in New York City and Los Angeles.
Gil celebrated his then two-decade career in 1985 with the album Dia Dorim Noite Neon (released in the U.S.), and released Gilberto Gil em Concerto, recorded live in Rio, in 1987. The early '90s saw
Gil continuing his involvement in social and political causes in his native country, finding widespread support for his political stances, and he was elected to office in the port city of Salvador (aka the Black Rome), his hometown. In 2003,
Gil began serving as Brazil's Minister of Culture, and two years later, he received Sweden's Polar Music Prize and a Légion d'Honneur from the French government.
Gil continued to maintain a recording career throughout the '90s and 2000s, including the 2008 release Banda Larga Cordel. ~ Richard Skelly, All Music Guide
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