Graham Central Station was a showcase for the revolutionary pop-and-slap bass guitar of Larry Graham, an alumnus of Sly and the Family Stone largely responsible for originating the percussive groove which typified the progressive funk sound of the 1970s. Born August 14, 1946 in Beaumont, Texas, Graham was raised in Oakland, California; by his teens he was adept not only on bass but also guitar, harmonica and drums, and at the age of 15 began performing with the Dell Graham Trio, his mother's lounge act. While attending college, he served as a supporting musician with the likes of John Lee Hooker, Jackie Wilson, Jimmy Reed and the Drifters;

Graham Central Station was a showcase for the revolutionary pop-and-slap bass guitar of Larry Graham, an alumnus of Sly and the Family Stone largely responsible for originating the percussive groove which typified the progressive funk sound of the 1970s. Born August 14, 1946 in Beaumont, Texas, Graham was raised in Oakland, California; by his teens he was adept not only on bass but also guitar, harmonica and drums, and at the age of 15 began performing with the Dell Graham Trio, his mother's lounge act. While attending college, he served as a supporting musician with the likes of John Lee Hooker, Jackie Wilson, Jimmy Reed and the Drifters; in 1968 he joined Sly and the Family Stone, appearing with the group during the halcyon period which gave rise to such classic albums as Stand! and There's a Riot Goin' On, as well as smash singles like "Dance to the Music" and "Everybody Is a Star," both of which prominently feature Graham's cavernous baritone in addition to his enormously influential thumping bass style.

In the wake of behind-the-scenes turmoil, Graham exited the group in late 1972; after initially agreeing to produce a band named Hot Chocolate (not the same act famed for hit singles like "Emma" and "You Sexy Thing"), he eventually joined their lineup, renaming the unit Graham Central Station. A propulsive, infectious funk ensemble, their original roster also included guitarist David "Dynamite" Vega, keyboardists Robert "Butch" Sam (formerly with Billy Preston) and Hershall "Happiness" Kennedy, percussionist Patrice "Chocolate" Banks, and drummer Willie "Wild" Sparks; the debut Graham Central album, an eponymously titled effort released in 1974, proved highly successful, launching a minor pop hit with "Can You Handle It." Another hit, "Feel the Need," emerged from Release Yourself, issued later that same year; the third GCS LP, 1975's Ain't No Bout-A-Doubt It, yielded the single "Your Love," a Top 40 pop hit which also topped the R&B charts. Mirror followed a year later.

With 1977's Now Do U Wanta Dance, Graham Central Station scored another R&B smash with the title track; by the release of 1978's My Radio Sure Sounds Good to Me, Graham's wife Tina had signed on as a vocalist, but pop crossover success remained elusive, and after Star Walk the following year, the group disbanded. Graham then turned solo, moving from funk to soulful ballads; his debut effort, 1980's One in a Million You, reached the Top 30, the title track becoming a Top Ten hit. 1981's Just Be My Lady yielded another hit with its own title cut, while 1982's Sooner or Later was also successful. However, after 1983's Victory, Graham's career took a downward turn, with 1985's Fired Up released solely in Japan. Aside from 1987's "If You Need My Love Tonight," a minor hit duet with Aretha Franklin, he was largely out of the public eye in the years to follow, instead working as a songwriter and sideman.

By the early '90s, Graham was leading Psychedelic Psoul, a nine-piece band which toured with comedian/singer Eddie Murphy; he also toured with the Crusaders. Following Sly and the Family Stone's 1993 induction into the Rock and Roll Hall of Fame, he re-formed Graham Central Station, eventually bringing into the fold former Family Stone bandmates Cynthia Robinson on trumpet and Jerry Martini on saxophone. Throughout Graham's lean years, one of his most vocal supporters remained the Artist Formerly Known as Prince, who readily acknowledged the influence of GCS not only on his music but also on his flamboyant stage show; by 1997, Graham Central Station was ensconced as the regular supporting act on the Artist's extended Jam of the Year tour, with the group also issuing a Japanese album titled By Popular Demand. Sessions at Minneapolis' Paisley Park Studios yielded the release of GCS 2000 in 1998. ~ Jason Ankeny, All Music Guide