Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s and early '70s, and one of the top-selling
pop/rock acts of the mid- to late '70s and early '80s with hits like "The Joker," "Fly Like an Eagle," "Rock'n Me," and "Abracadabra."
Miller was turned on to music by his father, who worked as a pathologist but knew stars like
Charles Mingus and
Les Paul, whom he brought home as guests;
Paul taught the young
Miller some guitar chords and let him sit in on a session.
Miller formed a
blues band, the Marksmen Combo, at age 12 with friend
Boz Scaggs;
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Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s and early '70s, and one of the top-selling
pop/rock acts of the mid- to late '70s and early '80s with hits like "The Joker," "Fly Like an Eagle," "Rock'n Me," and "Abracadabra."
Miller was turned on to music by his father, who worked as a pathologist but knew stars like
Charles Mingus and
Les Paul, whom he brought home as guests;
Paul taught the young
Miller some guitar chords and let him sit in on a session.
Miller formed a
blues band, the Marksmen Combo, at age 12 with friend
Boz Scaggs; the two teamed up again at the University of Wisconsin in a group called the Ardells, later the Fabulous Night Trains.
Miller moved to Chicago in 1964 to get involved in the local
blues scene, teaming with Barry Goldberg for two years.
He then moved to San Francisco and formed the first incarnation of
the Steve Miller Blues Band, featuring guitarist James "Curly" Cooke, bassist Lonnie Turner, and drummer Tim Davis. The band built a local following through a series of free concerts and backed
Chuck Berry in 1967 at a Fillmore date later released as a live album.
Scaggs moved to San Francisco later that year and replaced Cooke in time to play the Monterey Pop Festival; it was the first of many personnel changes. Capitol signed the group as
the Steve Miller Band following the festival.
The band flew to London to record
Children of the Future, which was praised by critics and received some airplay on FM radio. It established
Miller's early style as a blues-rocker influenced but not overpowered by psychedelia. The follow-up,
Sailor, has been hailed as perhaps
Miller's best early effort; it reached number 24 on the Billboard album charts and consolidated
Miller's fan base. A series of high-quality albums with similar chart placements followed; while
Miller remained a popular artist, pop radio failed to pick up on any of his material at this time, even though tracks like "Space Cowboy" and "Brave New World" had become FM
rock staples. Released in 1971, Rock Love broke
Miller's streak with a weak band lineup and poor material, and
Miller followed it with the spotty Recall the Beginning: A Journey from Eden. Things began to look even worse for
Miller when he broke his neck in a car accident and subsequently developed hepatitis, which put him out of commission for most of 1972 and early 1973.
Miller spent his recuperation time reinventing himself as a
blues-influenced pop/rocker, writing compact, melodic, catchy songs. This approach was introduced on his 1973 LP,
The Joker, and was an instant success, with the album going platinum and the title track hitting number one on the pop charts. Now an established star,
Miller elected to take three years off. He purchased a farm and built his own recording studio, at which he crafted the wildly successful albums
Fly Like an Eagle and
Book of Dreams at approximately the same time.
Fly Like an Eagle was released in 1976 and eclipsed its predecessor in terms of quality and sales (over four million copies) in spite of the long downtime in between. It also gave
Miller his second number one hit with "Rock'n Me," plus several other singles.
Book of Dreams was almost as successful, selling over three million copies and producing several hits as well. All of the hits from
Miller's first three pop-oriented albums were collected on Greatest Hits 1974-1978, which to date has sold over six million copies and remains a popular catalog item.
Miller again took some time off, not returning again until late 1981 with the disappointing
Circle of Love. Just six months later,
Miller rebounded with
Abracadabra; the title track gave him his third number one single. The remaining albums released in the '80s -- Italian X Rays,1984; Living in the 20th Century, 1986; and Born 2B Blue, 1988 -- weren't consistent enough to be critically or commercially successful. The early '90s saw
Miller return to form with
Wide River (the title track becoming a Top 40 chart entry) and the release of a retrospective box set compiled by the artist himself.
Miller continued to headline shows into the 2000s, sharing the bill with classic rock acts such as 2008 tourmate
Joe Cocker. He also announced the impending release of a new studio album of R&B covers. ~ Steve Huey & Al Campbell, All Music Guide
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