Unquestionably one of the all-time most influential, important, and versatile guitarists and songwriters in
rock history is
Jimmy Page. Just about every
rock guitarist from the late '60s/early '70s to the present day has been influenced by
Page's work with
Led Zeppelin -- his monolithic riffs served as a blueprint for what would eventually become
heavy metal, yet he refused to be pigeonholed to any single musical style (touching upon
folk,
country,
funk,
blues, and other genres).
Page also lent a hand in writing (or co-writing)
Zeppelin's vast array of classic songs and produced all their albums.
Born on January 9, 1944, in Heston, Middlesex, England,
Page picked up the guitar at age 13 after being inspired by the
Elvis Presley tune "Baby Let's Play House," and while he took several lessons, was mostly self-taught. Instead of attending college right after high school,
Page decided to join his first real
rock band, Neil Christian & the Crusaders, whom he toured England with. But
Page fell seriously ill (with glandular fever) and was forced to quit and recuperate. Dejected,
Page pondered giving up music and focusing on another interest, painting, as he enrolled at an art college in Sutton, Surrey.
With the emergence of such bands as
the Rolling Stones in the early '60s and their gritty
blues-rock,
Page's interest in music perked up once again -- but instead of forming a band right away, he decided to hone his craft by becoming one of England's top session guitarists and producers. Although the exact specifics of which sessions he was involved with have become hazy over time, it's confirmed that he worked with many of the day's top acts, including
the Who,
Them,
Donovan,
the Kinks, and
the Rolling Stones, among others. By 1966,
Page was looking to put his session work on hold and join a full-time band; he accepted an offer to play with
the Yardbirds (initially as a bassist, then shortly thereafter as a guitarist), as he was paired up with another one of
rock's all-time guitar greats,
Jeff Beck. Although
the Yardbirds began as a straight-ahead
blues-rock band, with the inclusion of
Page in the lineup, the group began experimenting with
psychedelic and
hard rock styles.
Despite it being obvious that
the Yardbirds were on the downside of their career (
Beck left shortly after
Page came onboard),
Page appeared on the album Little Games and several tours before the band finally called it a day in 1968. With a string of tour dates still set up throughout Europe,
Page decided to go through with the shows and put together a new band who was dubbed
the New Yardbirds -- including longtime session bassist John Paul Jones, plus newcomers
Robert Plant on vocals and John Bonham on drums. After the completion of their initial tour, the band changed their name to
Led Zeppelin and explored the still largely uncharted territory of
hard rock/
heavy metal. The band immediately became one of
rock's most successful and enduring bands, issuing a string of classic albums from 1969 through 1975 -- Led Zeppelin I,
Led Zeppelin II,
Led Zeppelin III,
Led Zeppelin IV,
Houses of the Holy, and
Physical Graffiti -- which spawned such classic rock radio standards as "Dazed and Confused," "Whole Lotta Love," "Immigrant Song," "Black Dog," "Stairway to Heaven," and "Kashmir," as the band also became a must-see live act in the process.
Page also found the time to work with
folk artist Roy Harper (most notably his 1971 release, Stormcock, under the alias S. Flavius Mercurius).
Zeppelin was arguably the biggest
rock band in the world by the mid-'70s (their influence on other
rock bands following in their wake cannot be stressed enough) as they launched their own record company, Swan Song, but it was around this time that
Page began dabbling with heroin and other substances, eventually leading to him becoming a full-blown addict by the late '70s/early '80s (as a result, his playing began to suffer). Also,
Page's interest in the occult became a concern to those around him (he went as far as purchasing a mansion on the Loch Ness in Scotland that was once owned by renowned Satanist Aleister Crowley).
Zeppelin continued issuing albums until the dawn of the '80s (1976's concert movie/soundtrack The Song Remains the Same and
Presence, 1979's
In Through the Out Door), but tragedy ultimately derailed the quartet -- the death of
Plant's young son in 1977 and
Bonham's alcohol-related death in 1980. After
Led Zeppelin decided to call it quits in late 1980,
Page disappeared from sight (it became known later on that he hardly touched his instrument for a long time afterward). It wasn't until 1982 that
Page began to emerge from his self-imposed exile, as he composed and played on the motion picture soundtracks to Death Wish I and Death Wish II, compiled the
Zeppelin outtakes collection,
Coda, and took part in the 1983 star-studded A.R.M.S. tour, which saw
Page unite with
Beck and
Eric Clapton for a series of shows that raised money for multiple sclerosis research. In 1984,
Page guested alongside
Plant,
Beck, and Nile Rodgers on the hit EP of
rock & roll oldies The Honeydrippers, and formed his first band since the demise of
Zeppelin, dubbed
the Firm. The group featured former
Free/
Bad Company vocalist
Paul Rodgers, and despite the fact that their self-titled debut was a sizeable hit, the band decided to call it a day shortly after the release of their lukewarm-received sophomore effort, Mean Business.
Zeppelin fans were given a rare treat when their surviving three members reunited (with drummers Tony Thompson and Phil Collins) for the mammoth Live Aid at Philadelphia's JFK Stadium in July 1985 -- unfortunately handing in an incredibly under-rehearsed, sloppy performance.
Zeppelin reunited again in 1988 for the Atlantic Records 25th Anniversary Concert at New York's Madison Square Garden (this time
Bonham's son, Jason, filled in for his late father behind the kit), and yet again performed another mistake-filled mini set. The same year
Page guested on
Plant's solo release, Now & Zen, as well as issuing his first ever solo recording,
Outrider, following it up with a tour that touched upon tracks from all eras of his career. By the early '90s, further rumors of an impending
Zeppelin reunion continued to circulate, and after
Plant declined an invitation from
Page to join forces once again,
Page decided to collaborate with former
Deep Purple/
Whitesnake vocalist
David Coverdale, whose vocal style has often been compared to
Plant's over the years.
Page's latest project only lasted a single album, 1993's heavily
Zep-like
Coverdale/Page, as a proposed world tour was scrapped in favor of just a few select dates in Japan.
In 1994,
Plant and
Page finally agreed to collaborate once again (although Jones wasn't invited this time), leading to the release of the acoustic set
No Quarter the same year, plus a highly popular MTV Unplugged special and sold-out world tour. A year later,
Led Zeppelin was inducted into the Rock & Roll Hall of Fame, this being the second time a
Page-related band got the nod from the Hall (in 1992,
the Yardbirds were honored). 1998 saw
Plant and
Page issue an album of all-new material, Walking into Clarksdale, which was surprisingly not well received by the public, sinking from sight shortly after its release. The duo went their separate ways by the late '90s, as
Page joined
the Black Crowes for a tour and live album (2000's
Live at the Greek). The same year as the album's release, another
Crowes/
Page tour was cut short due to a back injury
Page suffered. But in June of 2001,
Page took to the concert stage alongside
Plant to celebrate the 60th birthday of their friend,
folk artist Roy Harper. ~ Greg Prato, All Music Guide
(
collapse)