Classy, urbane, reserved, smooth, and sophisticated -- all of these terms have been used to describe the music of Roberta Flack, particularly her string of romantic, light jazz ballad hits in the 1970s, which continue to enjoy popularity on MOR-oriented adult contemporary stations. Flack was the daughter of a church organist and started playing piano early enough to get a music scholarship and eventual degree from Howard University. After a period of student teaching, Flack was discovered singing at a club by jazz musician Les McCann and signed to Atlantic.

Her first two albums were well received but produced no hit singles; however, that all changed when a version of Ewan MacColl's "The First Time Ever I Saw Your Face," from her first LP, was included in the soundtrack of Play Misty for Me.

Classy, urbane, reserved, smooth, and sophisticated -- all of these terms have been used to describe the music of Roberta Flack, particularly her string of romantic, light jazz ballad hits in the 1970s, which continue to enjoy popularity on MOR-oriented adult contemporary stations. Flack was the daughter of a church organist and started playing piano early enough to get a music scholarship and eventual degree from Howard University. After a period of student teaching, Flack was discovered singing at a club by jazz musician Les McCann and signed to Atlantic.

Her first two albums were well received but produced no hit singles; however, that all changed when a version of Ewan MacColl's "The First Time Ever I Saw Your Face," from her first LP, was included in the soundtrack of Play Misty for Me. The single zoomed to number one in 1972 and remained there for six weeks, becoming that year's biggest hit. Flack followed it with the first of several duets with Howard classmate Donny Hathaway, "Where Is the Love." "Killing Me Softly With His Song" became Flack's second number one hit (five weeks) in 1973, and after topping the charts again in 1974 with "Feel Like Makin' Love," Flack took a break from performing to concentrate on recording and charitable causes.

She charted several more times over the next few years, but a major blow struck in 1979 when Hathaway committed suicide. Devastated, Flack was forced to find another partner and eventually did in Peabo Bryson, with whom she toured in 1980. The two recorded together in 1983, scoring a hit duet with "Tonight, I Celebrate My Love." Flack spent the remainder of the '80s touring and performing, often with orchestras, and also several times with Miles Davis. She returned to the Top Ten once more in 1991 with "Set the Night to Music," a duet with Maxi Priest that appeared that year on the album of the same name. Her Roberta full-length, featuring interpretations of jazz and popular standards, followed in 1995. ~ Steve Huey, All Music Guide

Donny Hathaway was one of the brightest new voices in soul music at the dawn of the '70s, possessed of a smooth, gospel-inflected romantic croon that was also at home on fiery protest material. Hathaway achieved his greatest commercial success as Roberta Flack's duet partner of choice, but sadly he's equally remembered for the tragic circumstances of his death -- an apparent suicide at age 33. Hathaway was born October 1, 1945, in Chicago, but moved to St. Louis when he was very young, and began singing in church with his grandmother at the scant age of three. He began playing piano at a young age, and by high school, he was impressive enough to win a full-ride fine arts scholarship to Howard University to study music in 1964.

Donny Hathaway was one of the brightest new voices in soul music at the dawn of the '70s, possessed of a smooth, gospel-inflected romantic croon that was also at home on fiery protest material. Hathaway achieved his greatest commercial success as Roberta Flack's duet partner of choice, but sadly he's equally remembered for the tragic circumstances of his death -- an apparent suicide at age 33. Hathaway was born October 1, 1945, in Chicago, but moved to St. Louis when he was very young, and began singing in church with his grandmother at the scant age of three. He began playing piano at a young age, and by high school, he was impressive enough to win a full-ride fine arts scholarship to Howard University to study music in 1964. While in college, he performed with a cocktail jazz outfit called the Ric Powell Trio, and wound up leaving school after three years to pursue job opportunities he was already being offered in the record industry.

Hathaway first worked behind the scenes as a producer, arranger, songwriter, and session pianist/keyboardist. He supported the likes of Aretha Franklin, Jerry Butler, and the Staple Singers, among many others, and joined the Mayfield Singers, a studio backing group that supported Curtis Mayfield's Impressions. Hathaway soon became a house producer at Mayfield's Curtom label, and in 1969 cut his first single, a duet with June Conquest called "I Thank You Baby." From there he signed with Atco as a solo artist, and released his debut single, the inner-city lament "The Ghetto, Pt. 1," toward the end of the year. While it failed to reach the Top 20 on the R&B charts, "The Ghetto" still ranks as a classic soul message track, and has been sampled by numerous hip-hop artists. "The Ghetto" set the stage for Hathaway's acclaimed debut LP, Everything Is Everything, which was released in early 1970. In 1971, he released his eponymous second album and recorded a duet with former Howard classmate Roberta Flack, covering James Taylor's "You've Got a Friend." It was a significant hit, reaching the Top Ten on the R&B charts, and sparked a full album of duets, Roberta Flack & Donny Hathaway, which was released in 1972. The soft, romantic ballad "Where Is the Love?" topped the R&B charts, went Top Five on the pop side, and won a Grammy, and the accompanying album went gold.

Also in 1972, Hathaway branched out into soundtrack work, recording the theme song for the TV series Maude and scoring the film Come Back Charleston Blue. However, in the midst of his blossoming success, he was also battling severe bouts of depression, which occasionally required him to be hospitalized. His mood swings also affected his partnership with Flack, which began to crumble in 1973. Hathaway released one more album that year, the ambitious Extension of a Man, and then retreated from the spotlight; over the next few years, he performed only in small clubs. In 1977, Hathaway patched things up with Flack and temporarily left the hospital to record another duet, "The Closer I Get to You," for her Blue Lights in the Basement album. The song was a smash, becoming the pair's second R&B number one in 1978, and also climbing to number two on the pop charts. Sessions for a second album of duets were underway when, on January 13, 1979, Hathaway was found dead on the sidewalk below the 15th-floor window of his room in New York's Essex House. The glass had been neatly removed from the window, and there were no signs of struggle, leading investigators to rule Hathaway's death a suicide; his friends were mystified, considering that his career had just started to pick up again, and Flack was devastated. Roberta Flack Featuring Donny Hathaway was released in 1980, and both of the completed duets -- "Back Together Again" and "You Are My Heaven" -- became posthumous hits. In 1990, Hathaway's daughter Lalah launched a solo career. ~ Steve Huey, All Music Guide