A loose
experimental project formed in 1978 by Steven Stapleton,
Nurse with Wound explored abstract music -- influenced by Krautrock, freewheeling jazz improvisation, and
Throbbing Gristle but including a heavy debt to surrealists Dali and Lautréamont -- with an overpowering release schedule of limited-edition albums and EPs. Stapleton worked with an ever-changing list of collaborators during the early years of
Nurse with Wound, though
Current 93's David Tibet has been the only frequent recording companion during the 1980s and '90s.
Nurse with Wound's first three albums (Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella, To the Quiet Man from a Tiny Girl, and
Merzbild Schwet) reflect a naked, minimalist slant with long periods of quiet suddenly interrupted by guitar chords inspired by the
avant-garde wing of psychedelia/
jazz-rock, chains, music boxes, and found-sound recordings.
By the early '80s, Stapleton had begun to incorporate noisy, abrasive rhythms that put him more in line with contemporary EBM masters like
Skinny Puppy and
SPK. Though Stapleton continued his surrealist slant, he often moved back to more empty recordings. These works -- beginning with
Soliloquy for Lilith in 1988 -- came to light in the context of the growing
ambient/
electronic movement, however, putting
Nurse with Wound squarely in line with music trends for the first time. Stapleton recorded two split singles with
Stereolab during 1995 and continued his hectic, uncompromised release schedule from his base in southern Ireland. In 2005 the double-CD compilation Livin' Fear of James Last offered an overview of their output. That same year the two-CD compilation Judas as Black Moth was released through the Sanctuary label. On May 5, 2005, Stapleton recorded an improvisational live piece in Vienna and released it in 2006 under the title Soundpooling.
NWW's terrifying 1982 cult classic Homotopy to Marie was reissued on CD just in time for Halloween 2007. ~ John Bush, All Music Guide
