Clifford Brown's death in a car accident at the age of 25 was one of the great tragedies in
jazz history. Already ranking with
Dizzy Gillespie and
Miles Davis as one of the top trumpeters in
jazz, Brownie was still improving in 1956. Plus he was a clean liver and was not even driving; the up-and-coming pianist Richie Powell and his wife (who was driving) also perished in the crash.
Clifford Brown accomplished a great deal in the short time he had.
Don't have the
FREE
BlueBeat Player yet?
Download it now to listen to great programs at 320kbps!
He started on trumpet when he was 15, and by 1948 was playing regularly in Philadelphia.
Fats Navarro, who was his main influence, encouraged
Brown, as did
Charlie Parker and
Dizzy Gillespie. After a year at Maryland State University, he was in a serious car accident in June 1950 that put him out of action for a year. In 1952,
Brown made his recording debut with Chris Powell's Blue Flames (an
R&B group). The following year, he spent some time with
Tadd Dameron, and from August to December was with
Lionel Hampton's band, touring Europe and leading some recording sessions. In early 1954, he recorded some brilliant solos at Birdland with
Art Blakey's quintet (a band that directly preceded the Jazz Messengers) and by mid-year had formed a quintet with
Max Roach. Considered one of the premiere
hard bop bands, the group lasted until
Brown's death, featuring
Harold Land (and later
Sonny Rollins) on tenor and recording several superb sets for Emarcy. Just hours before his death,
Brownie appeared at a Philadelphia jam session that was miraculously recorded, and played some of the finest music of his short life.
Clifford Brown had a fat warm tone, a bop-ish style quite reminiscent of the equally ill-fated
Fats Navarro, and a mature improvising approach; he was as inventive on melodic
ballads as he was on rapid jams. Amazingly enough, a filmed appearance of him playing two songs in 1955 on a
Soupy Sales variety show turned up after being lost for 40 years, the only known footage of the great trumpeter. Fortunately, virtually all of his recordings are currently available, including his Prestige dates (in the OJC series), his work for Blue Note and Pacific Jazz (on a four-CD set), and his many Emarcy sessions (reissued on a magnificent ten-disc set). But the one to pick up first is Columbia's
The Beginning and the End, which has
Brown's first and last recordings. ~ Scott Yanow, All Music Guide
