Perhaps no single person in the 20th century has done more to preserve, broadcast, and re-distribute
folk music than
Pete Seeger, whose passion for politics, the environment, and humanity have earned him both ardent fans and vocal enemies since he first began performing in the late '30s. His never-ending battle against injustice led to his being blacklisted during the McCarthy era, celebrated during the turbulent '60s, and welcomed at union rallies throughout his life. His tireless efforts regarding global concerns such as environmentalism, population growth, and racial equality have earned him the respect and friendship of such political heroes as Martin Luther King, Jr.,
Woody Guthrie, and Cesar Chavez, and the generations of children who first learned to sing and clap to
Seeger's Folkways recordings must number in the millions.
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Rising above all of
Seeger's political ideals and his passion for authentic
folk music is his clear voice and chiming banjo which both sing out with a clarity that rings true.
Pete Seeger was born May 3, 1919, in Patterson, NY. The son of Charles and Constance Seeger,
Pete grew up in a household filled with both music (his mother was a violinist and teacher, his father was a musicologist and conductor, both of whom had served on the faculty at Juilliard) and political activism (his father worked as a teacher at the University of California at Berkeley, where his pacifism earned him so many enemies that he resigned in the fall of 1918). The youthful
Pete initially rebelled against his parents passion for music, but upon hearing a five-string banjo for the first time at the Folk Song and Dance Festival in Asheville, NC, his dream of becoming a painter was pushed aside. He studied sociology at Harvard University beginning in 1936, but left just before his final exams two years later, choosing instead to roam the American South making
field recordings with music scholar
Alan Lomax. These experiences were the foundation of
Seeger's repertoire of
work songs,
lullabies, folk songs, and
ballads that he would revisit throughout his musical career.
Seeger was drafted into the army in 1942, spending much of his time performing to troops in the South Pacific, and in 1943 he got married to Toshi Ohta (who has remained his wife for more than 50 years). After his discharge he continued his travels throughout the U.S., but as a performer instead of a scholar, performing wherever people were gathered, from taverns to churches. On March 3, 1940, he met
Woody Guthrie at a migrant worker benefit concert, and soon after the two helped form
the Almanac Singers, a loosely organized musical collective that included
Lee Hays, Millard Lampell, Sis Cunningham,
Sonny Terry,
Brownie McGhee,
Leadbelly,
Josh White,
Burl Ives, and
Richard Dyer-Bennett at different times. The
Almanac Singers' career was brief (lasting just over a year), but their pacifist attitudes and their ability to draw large crowds brought them under the scrutiny of the political powers of the time. Upon the dissolution of the
Almanacs,
Seeger, and
Hays formed
the Weavers with
Ronnie Gilbert and Fred Hellerman who found universal success with their bright renditions of folk songs and
spirituals like "Kisses Sweeter Than Wine," "Wimoweh," "Goodnight Irene," and "On Top of Old Smoky." Unfortunately,
Seeger and
Hays' leftist leanings had long been under the scrutiny of the FBI, and ironically, their straightforward and innocuous performances were drawing disdain from the diehard leftist press. In 1955
Seeger was brought before the House Un-American Activities Committee and his testimony resulted in his being blacklisted for 7 years (and not officially cleared on charges of contempt until 1962).
Seeger left
the Weavers in 1958, for a solo career just as the seeds of the music they planted were beginning to take root on college campuses and in coffeehouses across the U.S. He spent much of the '60s in the South, marching in civil rights protests and arranging an old
spiritual into what he named "We Shall Overcome," which has become the anthem of the pursuit for equality worldwide. In 1962, he put the words to a portion of the book of Ecclesiastes to music, capturing the feel of the changing climate of the youth movement in his song "Turn! Turn! Turn! (To Everything There Is a Season)." In addition to the countless social rallies he organized and participated in at this time,
Seeger also had a hand in many of the Newport Folk Festivals in the early and mid-'60s. His adherence to the sanctity of
folk music came to a boiling point with the advent of
folk-rock, and this was visibly demonstrated when he tried to pull the plug on
Bob Dylan's very electrified set with the
Paul Butterfield Blues Band in 1965. His objection to the Vietnam War was made evident during an appearance on the Smothers Brothers Comedy Hour in 1967 where he attacked Lyndon Johnson's war policies during his performance of the song "Waist Deep in the Big Muddy."
Seeger focused his attention on environmental issues in the '70s and '80s, notably with the launch of the sloop Clearwater (a floating classroom, laboratory, stage, and speaker's forum) onto the Hudson River in 1969. He also remained active on the festival circuit, appearing at outdoor
folk concerts and organizing rallies for any number of causes, from labor unions to anti-pollution legislation. The '90s saw
Seeger on-stage receiving awards as often as performing music; with honors including receiving the nation's highest artistic honors at the Kennedy Center, gaining entry into the Rock and Roll Hall of Fame, and earning the Harvard Arts Medal (despite the fact that he opted not to graduate from the university). He also won a Grammy Award for Best Traditional Folk Album of 1996, and in 1999 he traveled to Cuba to accept the Felix Varela Medal (Cuba's highest honor for "his humanistic and artistic work in defense of the environment and against racism"). In 2008
Seeger released
At 89, a collection of newly recorded classics and newly written material. His ceaseless passion for reaching the hearts and minds of those who will listen is summed up by the inscription on his banjo which reads "This machine surrounds hate and forces it to surrender."
Pete Seeger's music does not force hate to surrender with muscle or intimidation, but with
Seeger's simple honesty and pure-hearted clarity which has truly changed the course of history during the 60-plus years that he has been performing. ~ Zac Johnson, All Music Guide
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