Mary Chapin Carpenter was part of a small movement of
folk-influenced
country singer/songwriters of the late '80s. Although many of these performers never achieved commercial success,
Carpenter was able to channel her anti-Nashville approach into chart success and industry awards by the early '90s.
Carpenter was born and raised in Princeton, NJ, the daughter of a Life magazine executive; she spent two years of her childhood in Japan, where her father was launching the Asian edition of Life. During the
folk explosion of the early '60s, her mother had begun to play guitar. When
Mary became interested in music as a child, her mother gave her a guitar.
Carpenter played music during her high-school years, but she didn't actively pursue it as a career.
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Mary Chapin Carpenter was part of a small movement of
folk-influenced
country singer/songwriters of the late '80s. Although many of these performers never achieved commercial success,
Carpenter was able to channel her anti-Nashville approach into chart success and industry awards by the early '90s.
Carpenter was born and raised in Princeton, NJ, the daughter of a Life magazine executive; she spent two years of her childhood in Japan, where her father was launching the Asian edition of Life. During the
folk explosion of the early '60s, her mother had begun to play guitar.
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When
Mary became interested in music as a child, her mother gave her a guitar.
Carpenter played music during her high-school years, but she didn't actively pursue it as a career. In 1974, her family moved to Washington, D.C., where she became involved in the city's
folk music scene. After graduating from high school in the mid-'70s, she spent a year traveling Europe; when she was finished, she enrolled at Brown University, where she was an American civilization major.
Following her college graduation, she became deeply involved in the Washington-area
folk scene, performing a mixture of originals,
contemporary singer/songwriter material, and pop covers.
Carpenter met guitarist John Jennings during the early '80s and the pair began performing together. Eventually, they made a demo tape of their songs, which they sold at their concerts. The tape wound up at Columbia Records, which offered
Carpenter an audition. By early 1987, the label had signed her as a recording artist. Her first album, Hometown Girl, was released that year.
Hometown Girl and its follow-up,
State of the Heart (1989), earned her a dedicated cult following, as well as two Top Ten singles, "Never Had It So Good" and "Quittin' Time."
Country radio was hesitant to play her soft, folky, feminist material, but she received good reviews and airplay on more
progressive country stations, as well as college radio.
Shooting Straight in the Dark, released in 1990, managed to break down a lot of the barriers that stood in her way. "Down at the Twist and Shout" became a number two single and the album sold well, setting the stage for her breakthrough album, 1992's
Come on Come On.
Come on Come On signaled a slight change in direction for
Carpenter -- although there were still
folk songs, she felt freer to loosen up on
honky tonk and
country-rock songs, which resulted in several hit singles. Two of the singles from the album -- "I Feel Lucky" and "Passionate Kisses" -- hit number four, and "He Thinks He'll Keep Her" became her first number one.
Come on Come On would eventually sell over two million copies. Her fifth album,
Stones in the Road, released in 1994, concentrated on the folkier material, but it was still a major success, selling over a million copies within its first six months of release.
Place in the World was released in October 1996, and
Time* Sex* Love* followed in spring 2001.
Carpenter's tenth album, 2004's Between Here and Gone was produced with pianist Matt Rollings.
The Calling was issued in 2007 by Zoe Records. Zoe also released a
holiday album from
Carpenter,
Come Darkness, Come Light: Twelve Songs of Christmas, in the fall of 2008. ~ Stephen Thomas Erlewine, All Music Guide
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