A distinctly lower-echelon Merseybeat band, the Escorts' commercial impact was slight indeed. Only one of their six singles made the British Top 50, and at number 49 at that. They covered "Dizzy Miss Lizzie" before the Beatles, and the single made some noise in Texas, but besides that they were unheard beyond their Liverpool hometown. Their 45s were pleasant, moderately catchy, and featured close harmonies, but were basically unmemorable. The Escorts lacked a distinctive sound and wrote virtually none of their own material (many of their A-sides were tame covers of U.S. rock and R&B hits; many of their B-sides were shallow Merseybeat numbers written by their manager). After a lineup change in 1966, the group recorded their sixth single with Paul McCartney on tambourine, showing a much more pronounced soul feel.

A distinctly lower-echelon Merseybeat band, the Escorts' commercial impact was slight indeed. Only one of their six singles made the British Top 50, and at number 49 at that. They covered "Dizzy Miss Lizzie" before the Beatles, and the single made some noise in Texas, but besides that they were unheard beyond their Liverpool hometown. Their 45s were pleasant, moderately catchy, and featured close harmonies, but were basically unmemorable. The Escorts lacked a distinctive sound and wrote virtually none of their own material (many of their A-sides were tame covers of U.S. rock and R&B hits; many of their B-sides were shallow Merseybeat numbers written by their manager). After a lineup change in 1966, the group recorded their sixth single with Paul McCartney on tambourine, showing a much more pronounced soul feel. Guitarist Terry Sylvester left the Escorts near the end of their recording career to join the Swinging Blue Jeans, and eventually replaced Graham Nash in the Hollies in the late '60s. ~ Richie Unterberger, All Music Guide