Sleepy LaBeef became the ultimate
rockabilly survivor, his live performances retaining the same raw power as he approached his eighth decade that they had in the years when he was among the music's pioneers. He was born Thomas Paulsley LaBeff in Smackover, AR. The 6'7" singer has heavily lidded eyes which make him appear half-asleep, hence his nickname. He was raised on a melon farm and grew up hearing both
country and
blues music.
LaBeef moved to Houston at age 18, working at several odd jobs before beginning to sing
gospel music on local radio shows. Soon he was working with a band of his own at local bars, and he appeared on the Houston Jamboree and Louisiana Hayride radio programs. The new
rockabilly style fit his blazing voice perfectly, and in the late '50s he recorded about a dozen sides in that style for various labels.
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Sleepy LaBeef became the ultimate
rockabilly survivor, his live performances retaining the same raw power as he approached his eighth decade that they had in the years when he was among the music's pioneers. He was born Thomas Paulsley LaBeff in Smackover, AR. The 6'7" singer has heavily lidded eyes which make him appear half-asleep, hence his nickname.
He was raised on a melon farm and grew up hearing both
country and
blues music.
LaBeef moved to Houston at age 18, working at several odd jobs before beginning to sing
gospel music on local radio shows. Soon he was working with a band of his own at local bars, and he appeared on the Houston Jamboree and Louisiana Hayride radio programs. The new
rockabilly style fit his blazing voice perfectly, and in the late '50s he recorded about a dozen sides in that style for various labels. His first single, "I'm Through," was released in 1957 on Starday. Sometimes he was billed as
Tommy LaBeff or
Sleepy LaBeff.
LaBeef moved to Nashville in 1964 and soon was signed to Columbia. In the 1960s he recorded mostly straight
country music. His sixth single for the label, "Every Day," provided
LaBeef with his chart debut in 1968, and after moving to Shelby Singleton's Plantation label in 1969, he hit the Top 20 with his version of "Blackland Farmer," Frankie Miller's heartfelt ode to the soil. The late '60s also saw the towering baritone's film debut in the bizarre Southern drive-in horror musical The Exotic Ones;
LaBeef played a swamp monster.
LaBeef moved to Sun Records in the mid-'70s after Singleton acquired that original institution of
rockabilly, and there he reconnected with his
rockabilly roots. Singles such as "Thunder Road," "There Ain't Much After Taxes," and "Boogie Woogie Country Girl" saw little chart action but helped form the beginnings of the
LaBeef legend as his indefatigable touring exposed audiences to his wildman energy.
LaBeef remains more popular in Europe than in the U.S. and appeared at England's Wembley Festival twice. Among his U.S. fans was
soul-music historian Peter Guralnick, who saw
LaBeef perform in Massachusetts in 1977 and praised his performances in a widely read article.
He signed to Rounder in 1981 and released It Ain't What You Eat (It's the Way How You Chew It) in the U.S. and in Europe. The live album Nothin' but the Truth gave CD buyers a taste of the booming vocals and slashing guitar that had made
LaBeef a prime club attraction.
LaBeef returned to regular recording in the mid-'90s, releasing several more albums on Rounder: Strange Things Happening (1994) and I'll Never Lay My Guitar Down (1996) contained a variety of
country and
blues tunes and revealed the depth of
LaBeef's musical experiences. Four years later, he issued Tomorrow Never Comes, which featured guest vocals from
Maria Muldaur. Compilations of the numerous unissued tracks from earlier in
LaBeef's career began to surface in the early 2000s, and by that time
Sleepy was nothing less than a
rockabilly legend. ~ James Manheim, All Music Guide
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