Skeeter Davis never received much critical attention, but in the '50s and '60s, she recorded some of the most accessible crossover
country music, occasionally skirting
rock & roll. Born Mary Penick,
Davis took her last name after forming a duo with Betty Jack Davis,
the Davis Sisters. Their 1953 single "I Forgot More Than You'll Ever Know" was a big
country hit; its B-side, the remarkable "Rock-a-Bye Boogie," foreshadowed
rockabilly. That same year, however, the duo's career was cut short by a tragic car accident in which Betty Jack was killed and
Skeeter was severely injured.
Skeeter did attempt to revive
the Davis Sisters with Betty Jack's sister but was soon working as a solo artist.
(
read more)
Skeeter Davis never received much critical attention, but in the '50s and '60s, she recorded some of the most accessible crossover
country music, occasionally skirting
rock & roll. Born Mary Penick,
Davis took her last name after forming a duo with Betty Jack Davis,
the Davis Sisters. Their 1953 single "I Forgot More Than You'll Ever Know" was a big
country hit; its B-side, the remarkable "Rock-a-Bye Boogie," foreshadowed
rockabilly.
Don't have the
FREE
BlueBeat Player yet?
Download it now to listen to great programs at 320kbps!
That same year, however, the duo's career was cut short by a tragic car accident in which Betty Jack was killed and
Skeeter was severely injured.
Skeeter did attempt to revive
the Davis Sisters with Betty Jack's sister but was soon working as a solo artist.
In the early '60s,
Davis followed the heels of
Brenda Lee and
Patsy Cline to become one of the first big-selling female
country crossover acts, although her pop success was pretty short-lived. The weepy ballad "The End of the World," though, was a massive hit, reaching number two in 1963. "I Can't Stay Mad at You," a Top Ten hit the same year, was downright
rock & roll; penned by Gerry Goffin and
Carole King, it sounded like (and was) an authentic Brill Building
girl group-styled classic. Goffin and
King also wrote another successful
girl group knockoff for her, "Let Me Get Close to You," although such efforts were the exception rather than the rule. Usually she sang sentimental,
country-oriented tunes with enough pop hooks to catch the ears of a wider audience, such as "I Will."
Davis concentrated on the
country market after the early '60s, although she never seemed too comfortable limiting herself to the Nashville crowd. She recorded a
Buddy Holly tribute album in 1967, when
Holly wasn't a hot ticket with either the
country or the
rock audience. But she certainly didn't reject
country conventions either: She performed on the Grand Ole Opry and recorded duets with
Bobby Bare,
Porter Wagoner, and
George Hamilton IV. In the 1980s, she had a mild comeback with the
rock crowd after recording an album with
NRBQ; she also married
NRBQ's bass player, Joey Spampinato.
Davis passed away September 19, 2004 after a long struggle with cancer. ~ Richie Unterberger, All Music Guide
(
collapse)
