Along with
Cabaret Voltaire and
Throbbing Gristle, Germany's
Einstürzende Neubauten ("collapsing new buildings") helped pioneer
industrial music with an
avant-garde mix of white-noise guitar drones, vocals verging on the unlistenable at times, and a clanging, rhythmic din produced by a percussion section consisting of construction materials, power tools, and various metal objects.
Einstürzende Neubauten was founded by vocalist/guitarist Blixa Bargeld and percussionist/American expatriate N.U. Unruh in Berlin as a performance art collective; their early activities included a seemingly inexplicable half-naked appearance on the Berlin autobahn, where the duo spent some time beating on the sides of a hole in an overpass.
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Along with
Cabaret Voltaire and
Throbbing Gristle, Germany's
Einstürzende Neubauten ("collapsing new buildings") helped pioneer
industrial music with an
avant-garde mix of white-noise guitar drones, vocals verging on the unlistenable at times, and a clanging, rhythmic din produced by a percussion section consisting of construction materials, power tools, and various metal objects.
Einstürzende Neubauten was founded by vocalist/guitarist Blixa Bargeld and percussionist/American expatriate N.U. Unruh in Berlin as a performance art collective; their early activities included a seemingly inexplicable half-naked appearance on the Berlin autobahn, where the duo spent some time beating on the sides of a hole in an overpass.
The group's early lineup also included percussionists Beate Bartel and
Gudrun Gut, plus contributor and sound engineer Alexander Van Borsig
Einstürzende Neubauten's earliest recordings are mostly unstructured, free-form noise issued on various cassettes and singles, including their first single "Fuer den Untergang," the 1981 EP Schwarz, and the 1982 album Kollaps. Some of these recordings are compiled on the Strategies Against Architecture '80-'83 collection, with live shows on the cassette-only 2x4. Bartel and
Gut were replaced by ex-Abwräts member F.M. Einheit (who served as
Neubauten's chief machinery operator) in 1983, when guitarist and electronics expert Alexander Hacke and Abwräts bassist Mark Chung also joined. A tour of England opening for
the Birthday Party resulted in a contract with Some Bizarre Records, which released the slightly more structured
Zeichnungen des Patienten O.T., as well as consternation from club owners and journalists over
Neubauten's stage demolitions and frequent ensuing violence.
When
Nick Cave left
the Birthday Party and formed his backing band
the Bad Seeds, Bargeld became the guitarist and toured and recorded with
Cave over most of the decade. He remained with
Neubauten, however, which released Halber Mensch in 1986, showcasing its wider range of expression. The group disbanded briefly but soon re-formed, and have released albums off and on since then for Elektra, signing to Trent Reznor's Nothing label for 1998's
Ende Neu. While Bargeld remained a
Bad Seed, Van Borsig and Hacke contributed to the remainder of
the Birthday Party's recordings as
Crime & the City Solution. In May 2000,
Einstürzende Neubauten released the full-length
Silence Is Sexy on Mute Records. Two years later, they announced they were no longer interested in working with a traditional label and that their next recording would be made with the help of supporters. These supporters would pay a fee, receive exclusive material, and help fund the next official album.
Despite their best intentions,
Einstürzende Neubauten released their 2004 album Perpetuum Mobile on Mute. The releases for supporters that appeared over the next few years helped fund the official album
Alles Wieder Offen, which was released on the band's own label in 2007. Elektra reissued both Strategies Against Architecture compilations on CD, and another supporter album, Einstürzende Neubauten, arrived in mid-2007. ~ Steve Huey, All Music Guide
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